Skip to main content

Full text of "The book of ornamental alphabets, ancient and mediaeval, from the eighth century, with numerals; including Gothic; church text, large and small; German arabesque; initials for illumination, monograms, crosses, etc., for the use of architectural and engineering draughtsmen, masons, decorative painters, lithographers, engravers, carvers, etc. etc."

See other formats


Royal  Svo,  oblong,  price  4s.  cloth. 


MODEM  ALPHABETS, 


INCLUDING 

GERMAN,  OLD  ENGLISH,  SAXON,  ITALIC,  PERSPECTIVE,  GREEK,  HEBREW, 
COURT  HAND,  ENGROSSING, 

Tuscan,  Iftfoantr,  ffiotlw,  Busttc,  anti  Arabesque; 

With  several  Original  Designs,  and 
AN  ANALYSIS  OP  THE  ROMAN  AND  OLD  ENGLISH  ALPHABETS, 

LARGE,  SMALL,  AND  NUMERALS. 

For  Ihe  ee  of  Draughtsmen,  Surveyors,  Masons,  Decorative  Painters,  Lithographers, 
Engravers,  Carvers,  &c. 


COLLECTED  AND   ENGRAVED  BY 

F.  DELAMOTTE. 


C.  L0CKW00D  ft  CO. 

7,  STATIONERS'  HALL 
COURT, 


PRIMER  OF  ILLUMINATION 

FOR  THE  USE  OF  BEGINNERS, 

WITH  A  RUDIMENTARY  TREATISE  ON  THE  ART,  PRACTICAL  DIRECTIONS 
FOR  ITS  EXERCISE,  AND 

CHOICE  EXAMPLES 

FROM 

MISSALS  AHG  GTHEB  ILLUMINATED  MSS. 
BY  F.  DELAMOTTE. 

PKOIMTPS®  OM  @©y§>  AKI®  (g®L@yR§0 

"  The  volume,  very  beautifully  got  up,  is  as  ornamental  as  it  is  useful,  and  we  can 
heartily  recommend  it  to  the  notice  of  those  who  wish  to  become 
^\  proficient  in  the  Art."— English  Churchman. 


C.  L0CKW000  *  CO. 

&7,  STATIONERS'  HALL 
COURT, 

LONDON! 


i  a. 


I 

1 
c 


THE 


FIE@M  TIE 


WITH  NUMERALS. 

INCLUDING 

(Sotjjit;  (SImrtJj  ifet,  J arge  an>  Small;  (Soman  ^rafasqne;  Initials  for  Illumination, 

MONOGRAMS,  CROSSES,  &c- 

FOR  THE  USE  OF 

ARCHITECTURAL  AND  ENGINEERING  DRAUGHTSMEN,  MASONS,  DECORATIVE  PAINTERS,  LITHOGRAPHERS,  ENGRAVERS,  CARVERS,  kc<  Jbc 

COLLECTED  AND  ENGRAVED  BY  F.  DELAMOTTE. 


FIFTH 


EDITION- 


LONDON  :  LOCKWOOD  AND  CO.,  7,  STATIONERS'  HALL  COURT. 

1863. 


PREFACE  TO  THE  FOURTH  EDITION. 


P  S  there  are  no  works  of  Ancient  Alphabets  of  any  excellence  published  in 
I  ||  a  cheap  form,  I  have  been  induced,  after  many  years'  study  and  research  in 
my  profession  as  a  Draughtsman  and  Engraver,  to  offer  this  collection  to 
/(|  the  favourable  notice  of  the  public,  trusting  that  its  very  moderate  price 


and  general  usefulness  will  be  a  sufficient  apology  for  the  undertaking. 

The  demand  for  a  Fourth  Edition  within  so  short  a  period  of  the 
publication  of  the  Third,  has  convinced  me  in  the  most  agreeable  manner 
that  it  has  been  a  work  required  by  the  public.  To  render  it  still  more, 
worthy  of  their  attention,  I  have  here  introduced  some  additions,  likely  to 
enhance  the  interest  and  increase  the  value  of  the  pages,  as  an  indication  of 
the  esteem  which  I  have  held  the  encouragement,  and  the  respect  I  have 
paid  to  the  suggestions  of  the  purchasers  of  this  book,  and  the  critics  by  whom  it  lias  beec 
so  liberally  reviewed. 


Digitized  by  the  Internet  Archive 

in  2014 


https://archive.org/details/bookofornamentalOOdela 


INDEX 


-&<#»€>- 


V 

8th  Century.  Vatican  

8th  Century.    British  Museum  

8th  and  9tu  Centuries.    Anglo-Saxon  .    .    .  • 

9th  Century.    From  an  Anglo-Saxon  Mb.  .Bat- 
tel Abbey  

From  MS.  Library  of  Minerva,  Eome  

IOtii  Century.    British  Museum  

11th  Century  and  Numerals  .  .   

12th  Century.  From  the  Mazarin  Bible  .  .  . 
12th  Century.    Two  small.    British  Museum  .  . 

12th  Century.    British  Museum  

12rn  Century.    Bodleian  Library  

13th  Century.    Henry  III.    Westminster  Abbey. 

13th  Century.    From  Latin  MS  

13th  Century.  MS  

11th  Century.   Date  about  1340   

14th  Century.    British  Museum  

14th  Century.    Illuminated  MS  

14  th  Century.    Hichard  II.    1400.  Westminster 
Abbey  

14tu  Century.    Richard  II.    1400.  Small.  West- 
minster Abbey   

Utii  Century.    British  Museum  

IItii  Century.    From  MS.  Munich  

14th  and  15th  Centuries.    Two  Small.  British 
Museum  

1475.    British  Museum  

1480.    British  Museum  

]  490.    British  Museum  • 

Henry  VII.    Westminster  Abbey  


AGE 
1 

9 


4 

5 

6 

7 

8 

9 
10 
11 
12 
13 
14 
15 
16 
17 

18 

19 
20 
21 

22 
23 
24 
25 
26 


PAGE 

15th  and  16th  Centuries.    German   27 

15th  and  16th  Centuries.    German.    Small    .    .  28 

15th  and  16th  Centuries.    Ornamental  Ribbon  .  29 

16th  Century.    Henry  VIII.    MS   30 

16th  Century.    From  Italian  MS   31 

16th  Century.     From  Albert  Durer's  Prayer 

Book.    Large   32 

16th  Century.    Albert  Durer's  Prayer  Book     .  33 

Vatican   34 

Gothic.    MS   35 

Gothic   36 

Gothic.    MS   37 

Large,    Small,  and  Numerals. 

MS   38 


16th  Century. 
16th  Century. 
16th  Century. 
16th  Cektury. 
16th  Century. 
French. 


17th  Century.    MS   39 

17th  Century    Church  Text.    MS   40 

German  Arabesque   44 

German  Arabesque.    Small   42 

Metal  Ornamental   43 

Initials   44 

Initials   4-> 

15th  Century   4.6 

Initials   4/ 

Numerals   48 

Numerals   49 

16th  Century   50 

16th  Century   51 

16tu  Century.   From  Wood  Engravings  ....  52 

Monograms,  Crosses,  &c   53 


(  1  ) 


8t(j  Cwtam.  f  atican. 


(    5  ) 

jf roiit  US.   Jibrwj  of  Utintria,  $onu. 


lOtlj  Ctntarn.    j|ritis|  SPfostm. 


ABEGOepEgfel 

KLMNNOFQRST 


WXYZ.fEQD 


(    7  ) 


Utjj  Cntturg  anb  ftnmtrals. 


(    8  ) 


(    9  ) 

X2\\  €t\\kq.    Dritisj;  Jttuseum. 


(   io  ) 


V  t 


I  11  ) 

\2\\  Century.    fMtxm  fikarn. 


(    12  ) 


t3tl)  Cento.   |jcnr]]  f|e  ^jjirb.    SHcsfininsftr  Jbbcij. 


(    13  ) 


(  14  ) 


I3tlj  flunturg.  Ht.jS. 


(    16  ) 

t^tjj  tfenterj.   %n\\fy  gfostum. 


(    17  ) 

Wb  tfmtnrj.   $Ilumiitairi>  gtS. 


(    18  ) 


\\\\  Ccnturjr.    $it|jarb  ftc  Stronfc    UOO.    Pledininsfcr  |I)Imt. 


(    19  ) 

X\\\  Ctnturg.   $Ut|art>  %  Bttwh.   VfiO.   Small.   88tstminsfer  %hbt$. 


(    20  ) 


\\\\  Ctntarn.    gritrs|j  gtnscnm. 


(    22  ) 


Ufo  anli  I5tji  Ctntnrits.   ftan  Small.    Ǥritis|)  glustura. 


41 


/i 


rsib  c  Ci  ef Qh\  kl  m  nopqr 


im.   $ritisft  Bison. 


(    24  ) 

1^80.   ^rilisjj  Uluscum. 


(    25  ) 


(    26  ) 


f)ntrj)  %  Srimttjj.   SHestorinsftr  %hhq. 


)  (    28  ) 

t5ijj  ani  I6tb  Centuries.   (German.  Small. 

a  a6  rb  e  ffl  5y  &Cthu  o  p  qr 

>  5tUDlPJl/2 


(    29  ) 


15tjj  iinb  WW)  Ctntams.    ©rnammtal  3Riban&. 


I0tb  Centum. 

0  "» 


(    30  ) 

$ cnnr  tjjc  <gigjjt|[.  $15. 


■V 


(    31  ) 


I0t|  Century   Jfrom  Italian  gtS. 


(    32  ) 

i0t|  Centnrn.   %\kxi  gum's  ^prajitr  gook.    f  ar§c. 


(    34  ) 


16t|j  Cmturjr.  Jfa&an. 


(    37  ) 

IGtjj  Cttttnrg.   (Sotjjic.  |J1S. 


I — 


(    38  ) 

10tjj  Ctnlurs.   J arge,  Small,  anb  Numerals.  Jfrtnrjj. 


muonqrsCumii 


(    39  ) 

ITtlj  Ctntanj. 

4 


a*  ♦ 


(    41  ) 


German  Arabesque. 


(    42  ) 


  ^ 

(    ^  ) 

Petal  ©rnanmttal 


(    44  ) 

Initials. 


(    «  ) 


(    46  ) 

1 5ft  Ctntunt. 


is  mnoPQRSSG 


no  r  q  atf  i  lit  m  nop  q  r 


(    47  ) 


00 


m  m 


o 


(    48  ) 


Id 


0> 


S<1 


£=3 


CO 


D 
I- 
Z 
u 

O 


CM 


5P 


> 
EC 
D 

Z 

UJ 

O 


CO 


Ul 

O 


(    49  ) 


3— ■ 


o 


2P 


O 


o 

FN 


00 


>- 


UJ 

o 


lO 


vO 

If) 


cc 


Ui 

O 


00 


CO 
10 
10 


to 


4^1 


(    51  ) 

10tj)  (Ccntarg, 


I 


(    52  ) 


X6t\  Ccnturjr. 


(  ) 


(    54  ) 

Sonograms,  Crosses,  fa. 


['iistkd  si  c  wniriKO.  BEArroai  house,  stius"* 


/2» 


■  as  I 


'Will, 

mil 


Small  4to,  price  6«.  clotii,  antiq 


no. 


MEDIEVAL  ALPHABETS 

AND 

IHimtB  FOH  ILUlMiHATGHS, 
BY  R  DELAMOTTE. 

WITH  AN  INTRODUCTION  BY  J.  WILLIS  BROOKES. 

AND 

TWENTY-ONE   HIGHLY  FINISHED  PLATES, 
PRINTED  IN  COLD  AND  COLOURS. 

This  is  unquestionably  one  of  the  most  beautiful  and  at  the  same  time  the  cheapest 
selection  of  Examples  for  Students  of  the  Art  of  Illumination  which  has 
ever  been  published. 


1 1 


tar 


Ttt  obloug  royal  octavo,  price  2,.  6tf  boatds 
THE 

EMBROIDERERS' 

-M. 


CONTAINING 

INITIALS,  CYPHERS,  ORNAMENTAL  BORDERS, 

ECCLESIASTICAL  DEVICES,  MOHGCBAMS, 
lights  P&hctad  anb  ©riginal, 


COLLECTED  AND  ENGRAVED 

BY  F.  DELAMOTTE 


'V-